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<title>Culture - ÍàòÏðåññ - Èíôîðìàöèîííîå àãåíòñòâî</title>
<link>http://natpress.net/</link>
<language>ru</language>
<description>Culture - ÍàòÏðåññ - Èíôîðìàöèîííîå àãåíòñòâî</description>
<image>
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<title>Culture - ÍàòÏðåññ - Èíôîðìàöèîííîå àãåíòñòâî</title>
<link>http://natpress.net/</link>
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<title>Invitation of pupils into school and ensemble of Adygeyan dance</title>
<link>http://natpress.net/index.php?newsid=8514</link>
<description>The dance school of Anzor Shorov announced invitation of pupils and competitive selection into ensemble of Adygeyan dance created at the school.   New groups starts working since March, 1-st.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Sun, 04 Mar 2012 17:20:01 +0400</pubDate>
<yandex:full-text>The dance school of Anzor Shorov announced invitation of pupils and competitive selection into ensemble of Adygeyan dance created at the school.   New groups starts working since March, 1-st.   Cost of classes:   Children&#039;s group: for children from 6 till 15 years cost of the monthly subscription is 500 roubles.   Preferential group: 1) for students of correspondence form of studying – 1500 roubles in a month. 2) for students of internal branch of all - 1000 roubles a month.   Adult group: for all comers – 2000 roubles a month.   Ensemble: for participants of the ensemble rehearsal pass FREE OF CHARGE, with prospects of participation in tour and commercial performances of the art collective. Employment of the groups pass on days off.   Information by phones: 8(905) 563-42-15; 8(925) 030-27-00; 8(495) 226-44-29. www.adygadance.ru</yandex:full-text>
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<title>In Turkey memory evenings of Adygeyan poet Nalbiy Kuek passed</title>
<link>http://natpress.net/index.php?newsid=8513</link>
<description>In Istanbul the memory evenings of Adygeyan poet, playwright, prose writer, the honored worker of arts of Adygeya Republic Nalbiy Kuek passed. Representatives of the Adygeyan Diaspora of Turkey and delegation from Adygeya in the structure of scientists, writers and journalists took part in them.  The meetings had been organized before the writer’s birthday under the initiative of two Adygs-repatriates well known N.Kuek. Both of them are admirers of his talent.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Sun, 04 Mar 2012 17:18:20 +0400</pubDate>
<yandex:full-text>In Istanbul the memory evenings of Adygeyan poet, playwright, prose writer, the honored worker of arts of Adygeya Republic Nalbiy Kuek passed. Representatives of the Adygeyan Diaspora of Turkey and delegation from Adygeya in the structure of scientists, writers and journalists took part in them.  The meetings had been organized before the writer’s birthday under the initiative of two Adygs-repatriates well known N.Kuek. Both of them are admirers of his talent.   The Adygeyan writer had left a rich creative heritage. He was the author of such books in Russian, as &quot;Dance of Hope&quot; (1979), &quot;Contemporary&quot;, Moscow; &quot;Light Friend&quot; (1982), &quot;Star is Close&quot; (1984) “Soviet Russia&quot; Moscow; &quot;Frozen Cherry&quot;. He wrote poetic books in Adygeyan language: &quot;Globe Passes on Heart&quot; (1968), &quot;Cherry Trees&quot; (1971), &quot;Warm Coasts&quot; (1973), &quot;Lifted the Sky&quot; (1976) (for children), &quot;Both a Ray and a Voice, and a Feather&quot; (1981), &quot;Sky and the Ground - for All&quot; (1983) (for children), &quot;Bush of Red Guelder-Rose&quot; (1985), &quot;I Get up to Horizon&quot; (1987) (for children) &quot;And Light Starts from Breast&quot; (1988), &quot;Little Stump and Little Egg&quot; (1992) (for children), &quot;Who is the Master of Adygeyan Language&quot; (1994), &quot;Ashes of Heart&quot; (1995). Drama products in verses: &quot;Boy and Malicious Spirit&quot;, the play-fairy tale for children in Russian and Adygeyan languages; &quot;War of Peasants&quot;, the historical play; &quot;Songs of Our Fathers&quot;, in Adygeyan and Russian languages; &quot;Beat-stick&quot;, in Adygeyan and Russian languages, for puppet theaters.  he had translated into Adygeyan language &quot;Taming the Obstinate&quot; of Shakespeare, &quot;Mistress of Tavern&quot; of Goldoni, &quot;Tartuffe&quot; of Moliere, &quot;Auditor&quot; of Gogol, &quot;Ivanov&quot; of Chekhov; separate verses of the Georgian, German, and Czech poets.   He was the author of the script of the first Adygeyan feature film &quot;Twilight of Hopes&quot; (the main prize of the film festival in Spain). There are television movies about the art workers and arts, television movies on poems of N.Kuek&#039;s stories (Maykop, Nalchik) created. Some tens verses were shifted on music by composers of Adygeya. Verses were included in the school textbooks. The play in verses of &quot;Songs of Our Fathers&quot; was put forward in the competition of the State premium of the USSR. For his work with poetic youth he was awarded with the Certificate of honour of the VLKSM Central Committee.   About many-sided nature of his talent the participants of the meeting were told by the researcher of the writer’s creativity, writer Kutas Paranuk. The national actress of Adygeya Mariet Udzhuhu read through one of the best stories of N. Kuek “Mother of Abadzehs”. His verses were sounded by his spouse Jeanna Kuek and the deserved journalist of Adygeya Svetlana Tesheva. The present could hear philosophical reflections of the writer, too - at the meeting they demonstrated a film with Nalbiy’s participation.   During the literary meeting in Istanbul compositions of the writer were sounded in Adygeyan and Turkish languages. It is necessary to note that Nalbiy Kuek is considered as one of the most translated writers of Adygeya. His compositions are published in 17 languages of the world.</yandex:full-text>
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<title>Asya Eutykh met students of arts college of Adygeya</title>
<link>http://natpress.net/index.php?newsid=8502</link>
<description>The known armorer Asya Eutykh working in Adygeya Republic recently met with pupils of the republican college of arts. For conversation the artist had chosen the reading room of the National library. According to A.Eutykh, the atmosphere of the world of books adjusts perception of the high spheres.   At the meeting the master told about uneasy but honourable path of artist, about the thorny road of the creative person. Asya Eutykh is sure - self-sacrifice is important in arts, as the glory comes further, and it is not the main thing. The artist answered all the questions of the students and promised to make such meetings traditional.   Asya Eutykh is a jeweller, armorer, a member of the Union of artists of Russia, the national artist of Adygeya Republic. Asya Eutykh's products are stored in the funds of the State Hermitage and in the State historical museum of Moscow. Her works are executed in technics of moulding, engraving and gilding. The basic materials of her works include bronze, silver, gold and jewels. In 2008 she was awarded with the premium “Amra”, in 1998 - created weapons and ammunition for the personal Circassian guards (15 complete sets) of the Jordanian Prince Ali.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Fri, 02 Mar 2012 17:55:33 +0400</pubDate>
<yandex:full-text>The known armorer Asya Eutykh working in Adygeya Republic recently met with pupils of the republican college of arts. For conversation the artist had chosen the reading room of the National library. According to A.Eutykh, the atmosphere of the world of books adjusts perception of the high spheres.   At the meeting the master told about uneasy but honourable path of artist, about the thorny road of the creative person. Asya Eutykh is sure - self-sacrifice is important in arts, as the glory comes further, and it is not the main thing. The artist answered all the questions of the students and promised to make such meetings traditional.   Asya Eutykh is a jeweller, armorer, a member of the Union of artists of Russia, the national artist of Adygeya Republic. Asya Eutykh&#039;s products are stored in the funds of the State Hermitage and in the State historical museum of Moscow. Her works are executed in technics of moulding, engraving and gilding. The basic materials of her works include bronze, silver, gold and jewels. In 2008 she was awarded with the premium “Amra”, in 1998 - created weapons and ammunition for the personal Circassian guards (15 complete sets) of the Jordanian Prince Ali.  Her works are also stored in private collections of V. Putin (rhyton &quot;Alpes&quot;, set “Royal Seal”, rhyton “Great Source”, a sword-akinak “Amra”), of the King of Jordan Abdullah II (“Golden Tree of Narts”), of the King of Jordan Hussein (“Complete set from two glasses on a tray”), the Prince of Jordan Ali Ben Al Hussein (a saber, a dagger, a belt, gazyrs), the Princesses of Jordan Rim (the Complete set of ornaments of a wedding dress), maestro Y.Temirkanov (a silver conductor&#039;s baton).   A.Eutykh&#039;s products were exposed in Germany, Hungary, Bulgaria, Belgium, at the personal exhibitions in Ankara and Istanbul. They are stored in museums of Moscow, St.-Petersburg, New York, London, Singapore, Berlin and Tokyo.  According to the archeologic sources of northwest Caucasus Asya has restored an ancient compounding of bronze and technology of moulding.</yandex:full-text>
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<title>Exhibition of Circassian genocide to be held  in Istanbul</title>
<link>http://natpress.net/index.php?newsid=8427</link>
<description>On February 18th, the exhibition of Circassian genocide will be presented in Istanbul, Turkey. It was arranged with the support of members of the commission of the competition to build a monument to the victims of genocide, the publishing house &quot;Caucasia Evie&quot; and Circassian activists.</description>
<category>Culture</category>
<author>zshoo</author>
<pubDate>Fri, 17 Feb 2012 19:10:49 +0400</pubDate>
<yandex:full-text>On February 18th, the exhibition of Circassian genocide will be presented in Istanbul, Turkey.  It was arranged with the support of members of the commission of the competition to build a monument to the victims of genocide, the publishing house &quot;Caucasia Evie&quot; and Circassian activists.   On February 16th, the Circassian Cultural Center in Tbilisi is planed to be oppened and Circassian activists from all around the world are intending to participate the oppning as well as the Minister of Diaspora Affairs of Georgia. Then the delegation will go to Turkey and visit the exhibition opening there which will be held over two days in Istanbul Cultural Center - &quot; Fatih Ali Emery&quot;.   This important exhibition will display documents on Circassian Exile / genocide and sketches of the monument to the genocide of the competition, involving as many Circassians, indifferent to the tragedy of his people, where they can get acquainted with the instruments of genocide.   Location: Cultural Center of the name of Fatih Ali Amir. (Fatih Ali Emiri Efendi K&amp;#252;lt&amp;#252;r Merkezi)  Address: Area Mimar Sinan, the prospectus Akshemsettin, ¹: 52 (behind the building of Istanbul Security Office)  Tel: 0902125215565/66/67  radioadiga.com</yandex:full-text>
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<title>In Afipsip village a monument devoted to Adygeyan hero Caucasian war Tuguzhuko Kazbich is planned</title>
<link>http://natpress.net/index.php?newsid=8318</link>
<description>The initiative to erect in Afipsip village of Tahtamukaysky area of Adygeya a monument devoted to the hero of the Caucasian War, the leader of Circassians Tuguzhuko Kazbich was suggested by a group of 12 people. That idea was supported by the public and the government of Adygeya.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Mon, 23 Jan 2012 20:43:27 +0400</pubDate>
<yandex:full-text>The initiative to erect in Afipsip village of Tahtamukaysky area of Adygeya a monument devoted to the hero of the Caucasian War, the leader of Circassians Tuguzhuko Kazbich was suggested by a group of 12 people. That idea was supported by the public and the government of Adygeya. Tuguzhuko Kazbich born in 1777, died in 1840. He is one of the legendary military leaders-Circassians of Circassia during the times of struggle for independence. He was a member of the well-known noble Shapsug family Sheretlukovs (the other transcriptions of his name were Kzilbech, Hadji Huz-bek Kizbech, Kazbich). The tradition preserved in Adygeyan folklore shows his outstanding personality. He surprised his supporters and his enemies of his intrepidity and the stern character. Was a classic example of Circassian warrior of the past era. Even being in old age and after many severe wounds, he continued to lead Shapsug riders. In the Caucasian war he lost all his sons. Made a pilgrimage to Mecca. Was highly respected by the enemies. He died of his wounds. Tuguzhuko Kazbich lived and fought near Afipsip village, there a monument is planned to be situated. Particular place for the monument’s construction was chosen by the Minister of Culture of Adygeya Gaziy Chemso;the honored artist and architect of Russian Federation Abdullah Bersirov and the author of the monument’s sketch Kabardian sculptor Arsen Guchapshev. The place was approved at the sitting of the town-planning council of the Committee of Adygeya of Architecture and Urban Planning. &quot;The monument will be a personification of the heroic past of the Adygeyan people. It is intended to remind the younger generation about the difficult and tragic moments in the history of our republic, about the uniting patriotic spirit and love towards motherland,&quot; the Minister of Culture of Adygeya Republic Gazy Chemso said.  IA NatPress Taisiya Toshina</yandex:full-text>
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<title>Ensemble of &quot;Dawns of Maykop&quot; won first prize in Sochi</title>
<link>http://natpress.net/index.php?newsid=8292</link>
<description>The competition for children's creative collectives named &quot;World Games of Performing Arts&quot; took place in Sochi. In the competition over 30 young performers aged 10 to 15 years participated. The first place in &quot;Folk Dance&quot; category was after the municipal ensemble of Adygeyan dance &quot;Dawns of Maykop.&quot; They brought back from Sochi the diploma and the cup of the winners of the festival, proving once again that the constant rehearsals, harmonious creative team and a great desire to work can achieve a great success. Last year the collective had celebrated its 20th anniversary, to which they dedicated a great concert.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Sat, 21 Jan 2012 16:10:30 +0400</pubDate>
<yandex:full-text>The competition for children&#039;s creative collectives named &quot;World Games of Performing Arts&quot; took place in Sochi. In the competition over 30 young performers aged 10 to 15 years participated. The first place in &quot;Folk Dance&quot; category was after the municipal ensemble of Adygeyan dance &quot;Dawns of Maykop.&quot; They brought back from Sochi the diploma and the cup of the winners of the festival, proving once again that the constant rehearsals, harmonious creative team and a great desire to work can achieve a great success. Last year the collective had celebrated its 20th anniversary, to which they dedicated a great concert. In the ensemble, in addition to children acting on the stage, there are more than 200 children aged 5 to 17 years engaged. For future the children have grand plans, which they intend to implement smoothly and with their creative spirit.  IA NatPress (Maykop News)</yandex:full-text>
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<title>Presentation of Sultan Khan-Girey’s proceedings in Maykop</title>
<link>http://natpress.net/index.php?newsid=8218</link>
<description>One of the highlights of the scientific life of Adygeya for the last months of the past year was publication of the book &quot;Sultan Khan-Girey. Selected Papers and Documents.&quot; The book was published by the Adygeya Republican Institute of Humanitarian Studies (ARIHR). For several years the creative collective of Marat Gubzhokov, Asker Panesh, Azamat Buzarov and Sufyan Zhemuhov had worked on that compilation. The presentation of the new book became a worthy of the crown of that epic, taking place in the reading room of the Research Library of the Adygeya State University (ASU). In the spacious hall all those who can be called without exaggeration the intellectual elite of Adygeya - ARIHR researchers, teachers of the Maykop State Technologic University, writers, workers of the museums and libraries, staff of the profile ministry (headed by the Minister of Culture Gaziy Chemso), historians, journalists, students - all those for whom the name of Khan-Girey inextricably linked to the cultural history of Circassians.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Fri, 13 Jan 2012 11:37:00 +0400</pubDate>
<yandex:full-text>One of the highlights of the scientific life of Adygeya for the last months of the past year was publication of the book &quot;Sultan Khan-Girey. Selected Papers and Documents.&quot; The book was published by the Adygeya Republican Institute of Humanitarian Studies (ARIHR). For several years the creative collective of Marat Gubzhokov, Asker Panesh, Azamat Buzarov and Sufyan Zhemuhov had worked on that compilation. The presentation of the new book became a worthy of the crown of that epic, taking place in the reading room of the Research Library of the Adygeya State University (ASU). In the spacious hall all those who can be called without exaggeration the intellectual elite of Adygeya - ARIHR researchers, teachers of the Maykop State Technologic University, writers, workers of the museums and libraries, staff of the profile ministry (headed by the Minister of Culture Gaziy Chemso), historians, journalists, students - all those for whom the name of Khan-Girey inextricably linked to the cultural history of Circassians. Welcoming the participants, the director of the ASU Research Library Fatima Kuanova expressed her hope that the meeting in that format would become traditional and the new building of the university library would be &quot;home&quot; for the scientific and creative intelligence of Adygeya. The lead of the evening, the banquet toastmaster of the intellectual debate and the conductor was the ARIHR director Batyrby Bersirov. His reflections on the theme of the Circassian history, interspersed with speeches of his colleagues were as always profound and not trivial. Why the Crimean khans’ descendants left such a deep mark in the cultural history of Circassians? What was the reason for extraordinarily early death of Khan-Girey? What caused the tragedy of Khan-Girey and why a sense of impending doom for Circassians appears in every reader of his works? How well do we know the intellectual heritage of the Circassian world? These and other questions raised by Batyrbiy Mahmudovich, in varying degrees, were reflected in the discussion of the new book. Addressing to the gathered, Marat Gubzhokov, the head of Department of Ethnology and Folk Arts, ARIHR, a leading developer of the project, depicted the vicissitudes of a long and difficult work over the collection of the works of Khan-Girey. &quot;This most complete collection for today of Khan-Girey is not a mechanical connection of the already published works, Marat Nurbievich said. Identification of new sources, in particular, rough autographs of Khan-Girey, fragments of his works predetermined the structure of the book. It has historical-literary references, there are source study and characterization of historiographic documents with extensive comments. Only such approach to publishing sources is justified and can meet the modern scientific standards. It is the only way you can see not only his style of thinking and working methods with texts, but also to get closer to insight of Khan-Girey’s sentences, see the multiple layers of his consciousness, feel the throwings of his soul and assess the scientific achievements of prominent Circassian intellectual. &quot; The head of Department of History, ARIHR, Asker Panesh, one of the developers of the project, in his speech focused the attention of the gathered on historical surroundings, in which Khan-Girey created his major works. &quot;Being involved in the Caucasian policy of Russia, Khan-Girey sincerely hoped to promote the greatest bloodless entry of the Circassians into the empire, Asker Panesh noted. Unlike Khan-Girey the tsarist government had no illusions about it being initially set on the extremely tough resolution of the Circassian problem, regardless of the outcome of the Caucasian mission of Khan-Girey of 1837. Knowingly putting in front of himself the impossible task of &quot;pacification&quot; of the Caucasian peoples, Emperor Nicholas I made of Khan-Girey a hostage in the great political game. The tragedy of the Circassians became a personal drama for Khan-Girey, predetermined not only his retirement, but also in many ways - coming him to death.&quot; What caused a kind of a furore was appearance on a TV screen of another member of the authors’ group - Sufyan Zhemuhov. Being in a long creative trip to the USA, he could not stay away from the action and had sent a video recording of his statement made on the background of ... the Capitol! (As Marat Gubzhokov admitted later, he could hardly resist a temptation to present that story as a &quot;live broadcasting&quot; teleconference with the American capital. However, Sufyan himself, having a lot of experience in journalism, with a smile, concluded his speech as an experienced reporter of the international affairs: &quot;You have been contacted from Washington by Sufyan Zhemuhov&quot;). &quot;It is very important, he noted in particular, that this is the first edition of Khan-Girey in Maykop. It is not secret that although Khan-Girey was a native of Western Circassia, his works for many years had not been published in Adygeya for ideological reasons.&quot; Regarded the published collection as a symbol of the further development and the high level of the modern historiography of Adygeya, Zhemuhov Sufyan said that he was very proud of his participation in the project. In the speeches of the orators the book has been subjected to the impartial analysis. High standard of the scientific analysis was proposed by the authoritative researcher, Professor of the country&#039;s history of the ASU Emily Ayubovna Sheudzhen. In her speech she appreciated the recently published book as a &quot;sourceful and historiographic breakthrough&quot;, explaining how important for the researchers pieces of works of Khan-Girey are being introduced into scientific sphere. The technique of the work of the compilers over the rough autographs - interpretation of the texts, insert copyright options when editing their text, and so on - she called &quot;fantastic.&quot; &quot;Text processing usually is very difficult, laborious and not very rewarding, Emilia Ayubovna explained. This text is treated, in my opinion, perfectly. The comments are made very professionally. Their level is absolutely stunning, original, with no hint of politicization”. “That magnificent collection offers a broad perspective for researching in linguistics, ethnology, historical anthropology. We expect incredible revelations. Today we have mentioned the question why Khan-Girey died so early? A historical anthropologist who worked with the published texts, probably would have found in them echoes of the suffering of that intellectual margin, who fell out from his environment and failed to fit fully into the other environment. Further, in Khan-Girey works there are links to many authors - Russian, Western European, and Eastern. And from the standpoint of the intellectual history we could figure out what he absorbed from the parent culture, and what he got in contacts with the other cultures. I think, Emily Ayubovna concluded, - the main advantage of this book is that it does not cover the subject, but opens up new and fresh perspectives.&quot; Other professional historians also appreciated the advantages of the new work. The Dean of the Faculty of History of the ASU Nurbiy Pocheshhov called the book in a number of the major publications of the historical sources which had been appeared for the last few years. As always the vivid and imaginative speech was performed by Professor of Department of World History Ludmila Hut. She noted that the discussed book was made at the highest level of the professional standards. Concerning the identity of the Khan-Girey, Lyudmila Rashidovna called him &quot;a man inside whose soul a civilization fault which took place between the two worlds – the Russian and the Caucasian ones, a man who genuinely wanted to make the voice of his homeland be heard by Russia, a man who incinerated his soul in the sincere desire to be understood and heard.&quot; The prospects of &quot;reading&quot; the texts of Khan-Girey with the latest scientific techniques were described by Professor of the World History of the ASU Angela Cheucheva. Professor of Department of Russian Language of the ASU Rosa Namitokova noted that the published book encourages us to take a closer look into our past, and focused attention of the intellectual elite of Adygeya on the worth studying the Circassian presence in the global culture (for example, the &quot;Circassian style&quot; in France). &quot;The work itself, Rosa Yusufovna said, certainly, is a new stage in the development of the historical science of the Circassians.&quot; Her own vision of the protagonist of the collection was described by the head of the sector of ARIHR Raziet Emtyl, the author of the recent biographical works on Khan-Girey. Her proposal to nominate the collection &quot;Sultan Khan-Girey. Selected Papers and Documents&quot; for the state award of Adygeya Republic in the field of science was greeted with applause. The speech of Askarbiy Nagaplev appeared to be very emotional, as the producer and the founder of the film company &quot;Circassian-film&quot;, the creator of trilogy &quot;Circassia,&quot; called for the historians to intensify researches in the field of Adygeyan history to represent properly the history of the Circassian to the other nations. The head of Department of Language of ARIHR Nuh Gishev noted that the concept of the collection should be recognized as the standard and can be used in the publication of the papers of the other leaders of the Circassian culture. The national writer of Adygeya Chuyako Yunus shared his vision of Khan-Girey - the man who for many years filled up his creative imagination. Yunus Garunovich expressed his regret that for some ideological reasons Adygeya failed to be the first in publication of the works of Khan-Girey, which could have been already released in Maykop in 1960s. The researcher at the Department of Folklore of ARIHR Sergei Zuhba mentioned some striking examples of existence of the Abkhaz folklore characters in the Circassian history, familiar to us from the works of Khan-Girey. Presentation of the collection is reflected in the news programs of the republican and Maykop town TV, as well as in the print mass-media.  Svetlana Shhalahova www.elot.ru</yandex:full-text>
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<title>Amerby Kulov – “Soul of Russia”</title>
<link>http://natpress.net/index.php?newsid=8157</link>
<description>Under the Decree of the Prime Minister Vladimir Putin # 1945-r of November 3, 2011 Kulov Amerbiy Tsuovich, artistic director of the municipal budget institution of culture &quot;Children's choreographic ensemble &quot;Maykopchanochka&quot;, Maykop, Adygeya Republic  is awarded by the Government of Russian Federation with award “Soul of Russia” for his contribution to the development of the folk arts. Earlier Amerby Kulov had been the artistic director of the ensemble &quot;Nalmes&quot;.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Wed, 28 Dec 2011 23:01:22 +0400</pubDate>
<yandex:full-text>Under the Decree of the Prime Minister Vladimir Putin # 1945-r of November 3, 2011 Kulov Amerbiy Tsuovich, artistic director of the municipal budget institution of culture &quot;Children&#039;s choreographic ensemble &quot;Maykopchanochka&quot;, Maykop, Adygeya Republic  is awarded by the Government of Russian Federation with award “Soul of Russia” for his contribution to the development of the folk arts. Earlier Amerby Kulov had been the artistic director of the ensemble &quot;Nalmes&quot;. Our congratulations to Amerbiy Tsuovich with such high reward!  IA NatPress.NET</yandex:full-text>
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<title>Film about Circassian woman who became commander and honourable brigade general of France is presented in Nalchik</title>
<link>http://natpress.net/index.php?newsid=8140</link>
<description>The film &quot;Circassian Women Do not Die&quot; produced by the Kabardino-Balkarian branch of the State Broadcasting Company &quot;News-Kabardino-Balkaria&quot; about the amazing destiny of Elmeskhan Hagundokova who became a commander and a honourable brigade general of France, is presented today in Nalchik.  The author of the film, the editor of the company Zhansurat Zekorej did not aspire to be strictly documentary. “It was important to her to demonstrate the emotional world of the heroic fellow tribeswoman so the youth could be proud and imitate her”, director of the Kabardino-Balkarian branch of the SBC Lyudmila Kazancheva said. The film was shot in St.-Petersburg and Paris in the high quality format for demonstration on the big screen at cinemas of the region.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Mon, 26 Dec 2011 01:29:08 +0400</pubDate>
<yandex:full-text>The film &quot;Circassian Women Do not Die&quot; produced by the Kabardino-Balkarian branch of the State Broadcasting Company &quot;News-Kabardino-Balkaria&quot; about the amazing destiny of Elmeskhan Hagundokova who became a commander and a honourable brigade general of France, is presented today in Nalchik.  The author of the film, the editor of the company Zhansurat Zekorej did not aspire to be strictly documentary. “It was important to her to demonstrate the emotional world of the heroic fellow tribeswoman so the youth could be proud and imitate her”, director of the Kabardino-Balkarian branch of the SBC Lyudmila Kazancheva said. The film was shot in St.-Petersburg and Paris in the high quality format for demonstration on the big screen at cinemas of the region.   The daughter of the Circassian prince and a Russian noblewoman Elmeskhan Hagundokova was born in 1898 in St.-Petersburg. She studied in Smolniy institute. During the First World War she became sister of mercy in a military hospital. After her first marriage she got the name of Galia Bazhenova, and in her second marriage - countess Iren de Leuar - after the emigration to France she worked as a model in the house of a fashion &quot;Chanel&quot;, and during the Second World War she joined the French Resistance and supervised over a surgical branch of the mobile hospital. In 1943 she became a godmother of the 1-st Foreign cavalry regiment. Together with the American army the military unit she was in took part in clearing Italy from fascists and received an award of the Honourable Legion from the hands of the president of France general äå Gaulle. After the she war developed in Northern Africa hospitals which struggled with epidemics of typhus and cholera. She was also a deserved 1-st class legionary, honourable brigade general, commander, great officer of the national award &quot;For Merits&quot;. Had government awards: the Cross of the War of 1939-45, the Cross of great courage, the Gold cross of the Polish army, the Scarlet medal of Paris, the medal for the Tunisian and the Italian war campaigns. Hagundokova died in 1985 in the age of 87 years. She was buried in Paris on the Russian cemetery.   IA NatPress.NET</yandex:full-text>
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<title>Kim plays Tletseruk</title>
<link>http://natpress.net/index.php?newsid=8136</link>
<description>Ministry of Culture of Adygeya Republic produced a CD &quot;Letseryko Kim. Adyghe mekameher. Tletseruk Kim Plays.&quot; The CD contains 32 popular instrumental Circassian tunes performed by the legendary Circassian accordion player Kim Tletseruk. Mastering of the disk was carried out by Ruslan Barcho: annotation - by musicologist Bela Sheudzhen; design – by &quot;Dyshechev Production&quot;, and replicating was made by &quot;Records Man&quot; Ltd. in Moscow.</description>
<category>Culture</category>
<author>zara</author>
<pubDate>Sun, 25 Dec 2011 14:18:09 +0400</pubDate>
<yandex:full-text>Ministry of Culture of Adygeya Republic produced a CD &quot;Letseryko Kim. Adyghe mekameher. Tletseruk Kim Plays.&quot; The CD contains 32 popular instrumental Circassian tunes performed by the legendary Circassian accordion player Kim Tletseruk. Mastering of the disk was carried out by Ruslan Barcho: annotation - by musicologist Bela Sheudzhen; design – by &quot;Dyshechev Production&quot;, and replicating was made by &quot;Records Man&quot; Ltd. in Moscow. Circulation of the CD is distributed among republican and municipal educational institutions of the field of arts as well as the local cultural institutions to replenish their phono-arhives and the library collections. That creative project was implemented with financial support of the entrepreneur Hagur Aliy Saferovich.  © Ministry of Culture of Adygeya Republic</yandex:full-text>
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